Feature requests

I shoot sports and live performances. I frequently shoot in bursts so photos are similar. I crop and make adjustment tweaks to one photo and then want to apply the same adjustments to the next one. Doing copy/apply is too time intensive. This is a...

Imagine you have two images with several adjustments. When you copy/ paste the adjustments from the one image to the other to make them have similar adjustments, it only applies the values that have been adjusted. The values that have not been adj...

What problem do you see this solving? Currently the metadata shown under the image shows basic camera settings such as ISO, shutter speed and image name. I would like to show the time stamp or other useful metadata under the image, without having ...

What problem do you see this solving? Can't rename styles in C1Pro after making them without using stupid workarounds. I should not have to use workarounds. When was the last time you were affected by this lack of functionality, or specific tool? ...

What problem do you see this solving? All adjustments to an image done in a session, or from an export originals with adjustments, are stored in the .cos file of an image. Every other backup solution, even if it is "only" a manual comparison with ...

I would like to be able to mask contrast edges variably. Similar to brightness masks, but only for contrast edges. LR has offered this highly variable option for a long time. For example, you can sharpen only contrast edges very selectively.

As you build your custom workspace, because there are so many tools, it hard to figure out which ones have been added already. If the tools that are already placed in tabs could be in bold it would make it a lot easier to see which ones still need...

When returning to a session or restarting Capture One after closing, it would be really helpful to have a way to get back to where you were. Currently I open the output file and look for the image name, then scan down in the contact sheet to find ...

I recently started Teching and am typically working on a 2-3 monitor setup. I find that I am typically setting up my workspace to work across different monitors.For example, I could setup a second monitor dedicated to floating tools such as Focus,...

Now you need to constantly switch between instrument channels and keep their settings in mind. It will be very convenient to see all the changes made to brightness and color in the curves and levels as translucent colored lines.