Ideas

What problem do you see this solving? If you could automate hot pixel cleanup in images, I would love Capture One forever! When was the last time you were affected by this lack of functionality, or specific tool? Yesterday, the heal tool is wonder...

It would improve precision if you could speededit with + or - in stead of using the mouse. E.g. Holding E to activate speededit for Brightness and then clicking + or - to increase or decrease Brightness.

What problem do you see this solving? It's fantastic that you are providing profiles for the Nikon Picture controls. This is super helpful. Nikon also has a set of Creative Picture Controls. It would be great if these were supported in Capture One...

Hej! Could we add the option where if i move from one image to an other that it could auto select the same layer: Say if i have 6 layers and i work in layer 3, when i go to the next image it would be great with an option where it select layer 3 on...

Idea description Capture One supports referencing existing folders without copying (Add), but this workflow is not treated as a first-class UX path. Core problem Whether Add or Copy is used depends on how a folder is introduced (import dialog, d...

AI Brush is a powerful tool, but when I use it on a set of landscape pictures, I would like to be able to automatically select, for example, "buildings" or "trees" or even "sky", and then apply the same treatement to several pictures

As the advance of AI is on the rise, I believe it would be to everyone’s benefit to have AI culling built in the Capture One pro. Starting out with it on the desktop, and then migrating it to the iPad.

What problem do you see this solving? I am using DXO Pure Raw for better noise reduction, but the DNGs I get from there I cannot use with film simulations like with the RAF files. Lightroom supports this, so it must be possible in theory, I guess....

At this moment I am working on pictures of paintings. These paintings are white, photographed on a white wall, so there is a little, but hardly any contrast between the painting and the wall. Making a general selection and fine-tune it with the lu...