All ideas

What problem do you see this solving? All adjustments to an image done in a session, or from an export originals with adjustments, are stored in the .cos file of an image. Every other backup solution, even if it is "only" a manual comparison with ...

What problem do you see this solving? Sometimes I have to move a batch of images from one hard drive to another. If I do this, C1 does not find the images anymore and I have to re-import them again and delete them in the catalogue. In Lightroom it...

What problem do you see this solving? In over lapping sections of adjacent images there can be differences where I want to be able to specify a priority for which over lapping image to use. Without being able to assist the panorama merge it often ...

I edit on a laptop and I often edit images viewed at the same size as a mobile device screen (social media stills content). When I try to test out how different ICC profiles look on a raw image, the drop down menus completely cover the image I'm t...

What problem do you see this solving? Every image is different. Often when trying to fine tune highlights, Capture One does too much or too little. Example. When making art reproductions of paintings, the image can be perfectly exposed for the fla...

What problem do you see this solving? get rid of file size imitations (4gb) and dimension limits (65kpx lonmg edge) that are encountered more and more frequently, especially when working with stitched panoramas or hi-res documentation of artwork e...

Which device are you using? iPad mini 6, CO Pro on Win10, Fuji cameras What problem do you see this solving? Currently, there seems to be only one way to transfer images through Capture One Cloud: from iPad/iPhone to Capture One Pro for further ed...

What problem do you see this solving? When I remove hot pixels with the single pixel noise reduction feature, they are still present in the exported image if the resolution is less than 2130px wide. (This issue was observed for a 3:2 landscape ori...

I propose that the culling algorithm recognise a burst sequence by the criteria; same camera, same lens, sequential name, sequential time, time interval less than 1 second, and put these burst images in the same group. The user could then color ta...