Capture One Pro

Use AI to analyse an image and generate a graduated depth mask to allow effects to be applied in a smooth way according to the caluclated depth that items appear in the image.

What problem do you see this solving? Been waiting a long time for an option that would allow me to export photos to cloud services in high quality at relatively small sizes, taking advantage of modern features such as HDR. Clearly at this point w...

What problem do you see this solving? Rendering intent, black point compensation, simulation of paper white should be part of the recipe proofing because they are needed for certain printer/paper icc profiles from my printing service. My printing ...

It would amazing and closing a gap to enable the use of Fuji film simulations (ICC Profile) with Fuji RAW files in DNG format (as created e.g. by Iridient Transformer or PureRaw). The DNG files' Exif data contain the information on camera maker an...

It's quite common for my clients to say 'please give me files no larger than xMB as our CMS can't handle it'. What would be great is if I could specify a max file size, then C1P could create files that sit just under that amount.

I know that Capture1 is primarly a RAW processor, not a pixel editor. Having said that, it would save me using other software if there was a way to blend two images together. Set a seperate file as a top layer, and be able to blend parts of it in....

Film scanning is more popular than ever — from personal archives to museum preservation. Many scanners (Nikon, Plustek, Epson, Pacific Image/Reflecta, etc.) can capture an infrared channel to detect dust and scratches. Software like SilverFast HDR...

I am trying to match the exposure of multiple similar images. I remembered the color readout markers in C1 and thought it would be convenient to set markers on my subjects forehead and shirt on all of my selected images. Currently C1 automatically...

What problem do you see this solving? With the camera sensors becoming bigger with each new model, it becomes difficult to stay under the 2GB mark of a PSD file and even 4GB of a TIFF when editing in Photoshop. Even more so when editing in 16bit. ...

Camera original raw files include a multi-digit frame number. Provide token for this frame number that we can use on rename (eg [Image Number].