Ideas

Inspired by Lightroom special dng profile that use jpeg xl for lossy raw compresion I wish to see similar one in capture one. After tests with my 14 bit raws i noticed that even converted to 1/3 sized dng it is still enough for future edits. Thank...

Hi! Although I LOVE the Live for Studio I wish it would be able to shoot tethered to a ipad or iphone, and then share it to another ipad or phone with Live for studio, as the technology is a lot faster and more stable as the regular live. It would...

The metadata fonts and fields are entirely too small. It is so very frustrating to fill in descriptions or something else only to later find typos after the images have been submiited somewhere. I have learned over the years that no matter how man...

I would like to be able to mask contrast edges variably. Similar to brightness masks, but only for contrast edges. LR has offered this highly variable option for a long time. For example, you can sharpen only contrast edges very selectively.

Being able to fire the camera remotely is essential for those that "light paint" and composite images. If you enabled this feature, we wouldn't need a CamRanger.

It should be possible to cull after fixing exposure and applying a style for instance. It is easier to choose a keeper if you see a version closer to the end result. I would apply auto exposure and a style to all images before culling.

Hello 👋 capture one team. I’m a looooooooong time user since the very first version when I was still in university. Love your product - congrats. I have one request: I am working with a workflow, where instead of shooting tether I’m using the enab...

It would be very helpful if the images within the groups could be sorted not only by date, but also by rating, for example.

When using a Digital Asset Management (DAM) or photo library of any kind for my raw files (and image exports), I often search for specific images in the DAM and want to open and edit the images from the search result in C1. Because I can select im...

If you wanted to edit the colours within a local area of a frame, while leaving the same colours elsewhere in the frame as they are, it would be useful to isolate the specific part by applying a mask to that area, and then within that localised ma...