All ideas

Editing IPTC metadata is particularly painful in Capture One. I would like to be able to select the IPTC fields I want to use (hiding the others), sort of like a personal tenmplate. Then I'd like to be able to re-order the fields as I see fit. For...

Looking for the ability to have capture one do object (cars, animals, birds) detection as well as people/face detection.

What problem do you see this solving? The currently available size options for tools - Small / Medium / Auto - are too inflexible, and depending on the screen size even useless. A prime example is the Library tool where in Auto mode lots of screen...

As illustrated in these two videos, Lightroom has a very powerful Color Calibration tool that globally affects colors (akin to "color science"). It seems like a very useful tool that would be great to have in Capture One as well, since C1 has a bi...

Using the max. resolution available on macOS retina laptops is quite useful to have.a better definition of images, but has the consequence of reducing the site of texts (labels, menus, etc.) — at the point that sometimes it's a pain. Prior to macO...

It would be beneficial to reduce an image in size (negative zoom) in the viewer so that one could use the gradient tools beyond the image to better control feathering/intensity of the mask within the image. This would require the ability to reduce...

What problem do you see this solving? Currently when you crop an image you have an option for the viewer: either see the original image with the cropped out parts darkened out, or see only the cropped portion. There is no similar options for thumb...

The representation of purple fringing in the C1 RAW editor is not correct. After correcting purple fringing with the pf slider, purple fringing is still visible, however when you zoom in to the spot it is gone, also sending it to e.g. PS with 'edi...

It would be nice to have the function to create (presumably) the equivalent of a photoshop gradient map out of a colour chart in order to ballpark the colours in a shoot without having to jump through the hoops of creating custom ICC profiles.