All ideas

I propose that the culling algorithm recognise a burst sequence by the criteria; same camera, same lens, sequential name, sequential time, time interval less than 1 second, and put these burst images in the same group. The user could then color ta...

What problem do you see this solving? If I create AI masks for many images it can take a lot of time. I want to continue working with C1 on either the same images (e.g. keywording, or even image layer adjustments), or at least on other images, it ...

The ipad studio app has been working great, however I use one as a monitor for the photographer and often the client will ask to show the photographer an image. Since I don't have the ability to control the ipad I have to turn a monitor or the pho...

Dear C1 team: I've been planning to switch over to C1, mainly because the image processing for my Nikon, Fujifilm and Sony RAW files is way superior to Lr and Camera Raw. It's easily noticeable.But I see some options from Lr are still better imple...

When using Refine mask would be nice when auto switch over to greyscale mask appears.Or could be done by Tickbox(??) for User Choice if needed. (Auto select or not). And after applying view switches back to normal photo view without a mask shown.

FOR ON-SET PHOTO PRODUCTIONS: Add FOLLOW SELECTED toggle to Live for Studio. Currently Live for Studio defaults to FOLLOW CAPTURE. Sometimes photographer or client would like LfS to work like a Client Viewer where they can call out an image for me...

It is not possible to be in the refine mask tool and see how it affects 2 part of the image since you can't pan or zoom when using that tool

When using the "Exposure Warning" Tool to set maxium Shadow or highlight Input (with levels or curves, the behaviour of different for highlight than shadows (when selected). Highlights exposure warning become red (or the color choosed) as soon as ...