Feature requests

It should be possible to cull after fixing exposure and applying a style for instance. It is easier to choose a keeper if you see a version closer to the end result. I would apply auto exposure and a style to all images before culling.

Often times I like to use the same curve on the red, green, and blue curve channels. Having to manually create the same curve in each channel is time consuming and tedious. Being able to copy the curve from one channel so that you can paste it int...

After having deleted the good old contact sheet, you have not been able to implement even a slightly useful version of the "new tool". I would really like to see something useful - and in near future. I really do not know why I am still paying for...

Want Light Falloff to always be corrected for without having to manually adjust or apply profiles

since most stuff is going AI and since there’s such a huge debate on skin tones, it would be good to see when the skin is selected as an adjustment you’re able to easily use a preset or built in AI to the standard and general skin tone

When using a Digital Asset Management (DAM) or photo library of any kind for my raw files (and image exports), I often search for specific images in the DAM and want to open and edit the images from the search result in C1. Because I can select im...

Love the new AI brush. But I'd like a way to create contrasting colours between the brush preview and the actual mask. The subtle shades of the same colours can get a bit confusing

As you build your custom workspace, because there are so many tools, it hard to figure out which ones have been added already. If the tools that are already placed in tabs could be in bold it would make it a lot easier to see which ones still need...

Inspired by Lightroom special dng profile that use jpeg xl for lossy raw compresion I wish to see similar one in capture one. After tests with my 14 bit raws i noticed that even converted to 1/3 sized dng it is still enough for future edits. Thank...

Now you need to constantly switch between instrument channels and keep their settings in mind. It will be very convenient to see all the changes made to brightness and color in the curves and levels as translucent colored lines.