All ideas

What problem do you see this solving? With complex dodge/burn and other adjustments, one quickly runs out of the ability to add more layers (I think 25 is the max). This is all the more needed since one can only apply a single parametric mask per ...

As a Fuji X user, I depend upon being able to view the specific Fujifilm film simulation used for an image file within C1P for organizational and informational purposes. I know this information is available, as shown below. P Thanks,Gary

I’d like to edit photos on mobile and be able to pick up where I left off on the desktop. This means both the photo and the edits sync across platforms. If anyone has used Lightroom mobile they’ll see how rudimentary and lacking capture one mobile...

Posiadam Capture One Pro 16.3.8 2038

hello, Please create a pop up window that alerts the user that the images coming from camera are jpeg. Of course, anyone could click a "do not show again" box if they love shooting in JPEG. Most of your users,though , I suspect are aiming to shoot...

As more creators are incorporating video and finding subtractive color to be a good way to emulate motion picture looks, it would be great to have a subtractive saturation mode built into the color tools of capture one.

Version 16.4 added a "feature" to respect the crop data in an xmp file. Unfortunately it applies this crop to .jpg files that someone else exported that ALREADY incorporated the crop- and so crops AGAIN. This is a major time sink for me as I routi...

Now, it's a solid color. We could make it transparent per user config 0-100%. That way, it may be adjusted to user liking.

What problem do you see this solving? When you apply a gradient mask to an image after making keystone adjustments, the gradient mask follows the original dimensions of the image rather than the current dimensions after keystone adjustments, which...