All ideas

when adjusting a selected color using the Advanced color adjustment tab, we only have green/magenta axis to adjust - we should also have yellow/blue.

I do a fair amount of background editing and while the background mask tool is a great start (I shoot mostly headshots/portraits with solid color - grey - background), I have to do a fair amount of cleanup of the mask. The refine mask tool is too ...

When shooting tethered and adjusting colors from the color editor in the basic panel, whenever a new image comes in a selected color, it shifts to all colours, leading to altering all colours and making it impossible to make changes as the photogr...

Dear CaptureOne team, it would be really helpful if you could add a function where I could delete more than one session favorite folder at a time. I sometimes have a list of 30+ session favorite folders that are necessary during a shooting but hav...

Need the possibility to pick and select the color which should be white

It would be nice to have the possibility to import the images from the sd card which is still plugged in the camera. I don’t want to pull out the sd card out of the camera and plug it in the laptop everytime when importing images. C1 could use the...

Hi, Why not attributing many color tags (not juste one) to a photo ? I use tag to quickly classify photos. For example : green to the one I want to export, blue to the one with children (which can be exported or not). I don't want to use keyword f...

What problem do you see this solving? I'd love to be able to shoot the series of images needed for focus stacking directly within Capture One in an automated way. All the tools are already available in Capture One for it to work; we just lack eith...

Hi, I use Photo Mechanic and Capture One in conjunction. I can’t sync Getty’s "Personality" info between the two programs. None of them can read the other’s proram "Personality" infos. Regarding to Photo Mechanic, they have told me, it’s not imple...

In some types of shoots (especially still-life and product photography), we often need to preserve a specific area of a previous frame — for example, a precise object position or a shape I want to keep identical across multiple shots. What I’m loo...