All ideas

When using AI mask to add to a mask that already exists, the AI mask preview and the existing mask are the same colour. It would be better if the AI mask preview was a different colour that could be set in Preferences. This would make it easier an...

The license UI should give us explicit feedback on when the last successful 30 day activation happened (or at least when the current activation will expire). Currently we don't have any reliable way to verify that the online activation happened, s...

What problem do you see this solving? As a symphony photographer, I am required to shoot electronic shutter. Most stage lights have made a transition to LED lighting and banding is common. When I shoot sports, the typical fix is to switch to mecha...

I find there is always a sweet spot when using refine mask feature after seleting the subject or bg with the AI Masking. I am continually adding the same refine mask value to every mask I create. I'd like to be able to set a default value for all ...

Please add this great feature. In a set of photos with same lighting conditions the auto Exposure of the camera makes weird changes,I 'd like a standard Exposure for a set of images regardless of ISO, Aperture, Speed. (set same EVs)

I understand that the Capture One price makes sense for professional studios, it could be even more expensive for that. However, there are very many hobby photographers that would love to use Capture One, but don't because it is much too expensive...

Currently when using the crop tool, only the ALT key acts as a hotkey, it causes a resize to operate centrally to the crop area. It would be brilliant if Alt + Scrollwheel enlarged and shrank the crop area around the centre, too. I have 5000 image...

As you can see in the screen capture attached, the black space between each tool menu is irregular. It does not reflect the level of professionalism of your product. It is unpleasant in consideration of the price we pay for a professional product....

What problem do you see this solving? I do a lot of work that requires an even background (think e-com). Typically I create 8 layers and draw gradients on each– Top, Bottom, Left, Right, Top Left, Top right and so on. For each shoot I have to crea...