All ideas

What problem do you see this solving? Fuji's in camera pixel shift 4oo Megapixel capabilities are lost within the lack of professional software support. To my knowledge, the only way to take advantage of this feature is to use Fuji's own software,...

Please, please, PLEASE add Highlights and Shadows to Smart Adjustments. Surely, plenty of time has passed to the point where there's enough trust in the tool to start adding options? The ability to establish a range for highlights and shadows on t...

Hello Gents! I have a lot of images with high contrast backgrounds (white and black) that I'm constantly exporting with a © notice near the edge of the frame. Is there a way to use some AI magic to detect the dominant color of a background (near t...

What problem do you see this solving? Opening/Expanding and Highlighting Keywords in both Keyword Library and especially Filters Would it be possible to have the option of a - Not have any keywords expanded – only the main parent / grandparent sho...

What problem do you see this solving? Capture One has an awesome System which allows you to work with Layers. These layers don't live up to their full potential. Something like a Text-Layer (where you can write text), a PNG-Layer where you can ove...

What problem do you see this solving? This is not a frequent need, but it would be nice to have it, as a useful/additional professional feature to C1. A photo diptych or triptych is a single image that usually consists of two or three thematically...

What problem do you see this solving? Albums, smart albums, projects, and groups are an essential part of the workflow and not being able to copy or duplicate them (including any nested structure) slows the workflow and adds some onerously mundane...

It would be really helpful to generate Complex Luminosity masks like the way they are generated using TK9 Panels in Photoshop. We can generate Luminosity masks in Capture one but they are very limited. This video has some examples for more details...

What problem do you see this solving? I upload my studio sessions via cloud backup to my NAS at home. However, when working on my PC or MacBook Pro, I often encounter obstacles. I'm not in close proximity to the NAS, and the Wi-Fi appears obstruct...

What problem do you see this solving? It is always good to work in layers for local adjustment however sometimes the number of layers become too many when the processing is completed. In order to make the workflow looks efficient i suggest C1 shou...