Capture One on desktop

For example, a model being photographed in the studio on a backdrop is selected using the AI mask feature. Using the ‘Overlay’ function, it would be possible to check whether the lighting and/or perspective suits an existing predefined background....

Drag adjustment layers from one image to another. It gives you a workflow experience which is way more effortless and intuitive rather than accessing the adjustments clipboard.

Copy/past adjustments - under the Tab Metadata there is no possibility to check the GPS-Exif information.

Occasionally I'll have images that I should have shot in aperture priority to get a nice bokeh. Of course there's no going back. Could an option to 'convert' the background AI mask to several levels of bokeh - or 'softening/blurring' of the existi...

Please add back ONE Settings folder in every session. My problem is when I have a delivery folder under Output, CO adds a Capture One folder under it, and adds a settings folder. I don't want to send that folder to my clients. And I don't want to ...

I have folders with photos that are currently not managed by Capture One. These folders already have names that I like and are in the place that I like. I want to create new sessions from existing folders. Essentially convert a folder with raw fil...

If you create a large amount of Capture folders when setting up the session, its not clear which is already "in use" aka "filled" and which is still empty. It would be great to have a little visual hint if a folder is in use or not.

My Camera (Fujifilm X-T5) has a digital crop of 1.4 and 2.0,as many other models probably have. When I use this digital zoom, the info is already embedded in the metadata. It would be GREAT if C1 could offer the possibility during import (or at a ...

In the Edit Keyboard Shortcuts section, add the ability to register Midi actions/panels. This would enable a faster editing workflow. All actions could be mapped to specific keys/knobs on a controller. This is possible with the competition via MID...

every time i scan some film without correction (of blu/cyan for keeping the film tones in the shadow) i am not able in any way to white balance correctly, there is a limit at 14k kelvin which is many times still too cold.