Capture One on desktop

It would be useful to implement shortcuts also for resetting the individual tools Exposure White Balance etc.. to allow the use of shortcuts and the various keyboards for capture one.Currently we only have the shortcut to reset everything

I've asked for this before, but it's really getting on my nerves recently... PLEASE move the counter reset and set counter options to useful places. Having them in the file menu is not only completely counter-intuitive but a waste of time. Here is...

The rework of the “Layers & Masks” may have added more flexibility to the application of layers, but it has also disrupted previous workflows that depended on for example Luma Range from before the rework. Quallity of life improvements could b...

I am trying to match the exposure of multiple similar images. I remembered the color readout markers in C1 and thought it would be convenient to set markers on my subjects forehead and shirt on all of my selected images. Currently C1 automatically...

Often times I like to use the same curve on the red, green, and blue curve channels. Having to manually create the same curve in each channel is time consuming and tedious. Being able to copy the curve from one channel so that you can paste it int...

After having deleted the good old contact sheet, you have not been able to implement even a slightly useful version of the "new tool". I would really like to see something useful - and in near future. I really do not know why I am still paying for...

Want Light Falloff to always be corrected for without having to manually adjust or apply profiles

C1's film grain tool is the most accurate, native tool I've found in any photo editor software, but it's lacking the last part of the emulation of film grain that occurs in color film stocks, which is the "natural color microdistortion" caused by ...

I would like to request that there be metadata indicating the last date an image was edited (not just looked at, either, but really manipulated). This way I can go back to look at a series of varients and determine which was really the last edited...

What problem do you see this solving? This would address at least three problems: 1. Creating non-trivial masks often involves frequently switching between adding a bit of mask with a brush and erasing a bit of mask with the eraser brush in an ite...