All ideas

Hello, First of all, let me tell you that Capture One is a dream to work on. I have been working on this program since the beginning and I also teach it at the University of Art in Lausanne, Switzerland. I am a power user and, in addition, a very ...

Trying to make very fine adjustments in the curves tool, I find it hard & frustrating to be precise. In Adobe Photoshop there is a common paradigm that you can use the up & down arrow keys to increase/decrease a quantity by 1 unit (or by ...

In the export settings, I have to manually select a folder every time I want to export a new session. Each client has their own session, and having to manually name and select folders every single time is time consuming. There are a lot of options...

What problem do you see this solving? I commonly need to do selections that follow geometric paths (architecture), where using a brush is painfully tedious to get a hard edge and the magic brush struggles with patterns (like wood flooring) to find...

I wish you would fully partner with a company like Aftershoot to make C1 fully integrate with all of its tools because I am always looking for efficiencies and prefer your interface over the competition, but its this lack of integration that makes...

When tethering in a session, it would be great rather than having to use a third party programe to create a png for an overlay, if we could draw on an already shot image in capture one with the annotations tool and save it as an overlay to apply t...

I'm extremely impressed by the recent implementation of DxO's DNG High Fidelity Compression which provides "perceptually lossless" export option for Linear DNG files. This is game-changing, especially for anyone who needs to process TIFF files in ...

The Match Look section takes up way too much space on the toolbar in my opinion, and can be broken down into 3 parts: the images/variants, the individual adjustments, and the Apply/Apply as new layer section. However, once the image/variants and i...