All ideas

Hello, I have the following working method: I photograph a few outdoor sets using only the iPad Pro and Capture One for the iPad and then I go back to my studio and continue taking photos there... now when I come back to the studio I want to take ...

I'm thinking about getting an iPad for mobile photography with the Phase One IQ4 150 and an Alpa camera. For me, however, the LCC integration and the ability to insert the lens shift in C1 are crucial for a well-functioning workflow. If I work on ...

Currently there are shortcuts for setting a folder as capture, output, trash, as well as adding/removing from favourites. A rename shortcut would be very helpful for workflow. Many people use pre-made folder numbers then rename them with an asset ...

What problem do you see this solving? Describe the problem or issue you are having in Capture One. Think about what it is that you're trying to achieve, and the reason why you are trying to do it. The general problem is that you have multiple lice...

What problem do you see this solving? You don't support the 10bit HEIF (Capture one Express for Fuji, or Capture One Pro) When was the last time you were affected by this lack of functionality, or specific tool? Today, every time I want to import ...

What problem do you see this solving? Renaming keywords in a larger catalog, especially top-level keywords in a hierarchy, takes unbearably long. When was the last time you were affected by this lack of functionality, or specific tool? Everytime I...

Currently you can only use keyboard shortcuts to adjust the Tint +/- 1.0 at a time. This is often too drastic of a change, especially when dealing with odd / mixed lighting in shots. I use various interfaces to edit in C1 and bind these settings t...

There is a commonly used scripting language for Windows now - PowerShell. It allows a shell script to interact with an application through a rich and discoverable Object oriented API. Please consider allowing Windows users to script C1.

It would be nice to have the function to create (presumably) the equivalent of a photoshop gradient map out of a colour chart in order to ballpark the colours in a shoot without having to jump through the hoops of creating custom ICC profiles.

Display the central focus point selected by the camera